The first bite is taken with the eye; so say the Japanese about food. In fashion, that might translate into the impression generated by a designer's invitation. Ann Demeulemeester's was an expensive envelope, no address. The details of the show were printed on the inside flap. Totally interior. Just like the clothes, which were, according to Demeulemeester, all about a woman whose instinctive, utterly natural eccentricity inevitably finds outward expression in the way she dresses...
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